Initiated by: Maarten Vanden Eynde
Involved: Lotte Arndt, Sammy Baloji, Sven Beckert, Alexis Destoop, Marjolijn Dijkman, Femke Herregraven, Dunja Herzog, Alioum Moussa, Peter Pels, Jean Katambayi, Maarten Vanden Eynde.
Guest participants/researchers: Christine Chivallon, Helen Elands, Wouter Elsen, Patricia Fara, Remy Jungerman, Karin Lurvinck, Phillippe Mikobi, Eric Vanhaute.
Partners so far: The National Museum, Lubumbashi (CD); Deltaworkers, New Orleans (US); Z33, House for Contemporary Art, Hasselt (BE); Arts Catalyst (UK); Cargo in Context, Amsterdam (NL)
Venues so far: Bozar, Brussels (BE)
Triangular Trade investigates the influence of transport and trade of pivotal materials like rubber, oil, ivory, copper, diamonds, gold, cotton and uranium, but also people, on exponential economic growth, the creation of nations and other power structures. The project traces back the origin of the different materials and follows their (r)evolutionary paths as they are processed and transformed into 'world changing wonders'.
Maarten Vanden Eynde started the preliminary research for Triangular Trade in 2015 by investigating the historic under-recognised and often forgotten importance and influence of Kongo (currently D.R. Congo) and it's natural resources on the development of human kind. After three working periods in D.R. Congo he expanded his research to the Southern United States where materials like cotton, copper and uranium played a leading role in the transatlantic trade.
Early 2017, the project will become public by organising two LUNÄ Talks, one in the framework of Performatik 2017 and one in collaboration with Agora, in Bozar, Brussels, about the specific influence of cotton on the distribution of wealth, the expansion of the slave trade, the industrial evolution and the current ecological crisis in relation to GMO cotton, Monsanto monopolies and fast fashion.
Triangular Trade initiates debates, symposia and research residencies and gatherings resulting in several exhibitions focussing on a wide variety of materials and their particular heritage, and a publication bringing these material matters together. Ultimately the entire project merges old and contemporary stories of trade and colonisation with physical remnants of technological evolution.