Spilling out from its central hub at Ikon Eastside, the project investigated the myriad public spaces around Digbeth and the Irish Quarter. The title of the project is derived from signs found in the city centre that apologise to passers-by for any temporary disorder in the look of the urban fabric. These somewhat over-eager messages, typically surrounded with hazard tape and large plastic barriers, suggest anxiety with regard to inconsistencies in the aesthetics of the city.

As a result of this residency Tercerunquinto realised a large intervention in the building of IKON EASTSIDE, Maarten Vanden Eynde produced the work and artists book 'Industrial Evolution' and Marjolijn Dijkman realised LUNÄ a table installation that is being used by Enough Room for Space.