1 July - 31 August 2026

ICC: Research Residency Georges Senga

Enough Room for Space, BE

Institute of Colonial Culture (ICC) - Research on Congolese Heritage

ICC consists of a collection of artefacts, documents, books, photographs and films representing colonial presence in Congo, mainly focusing on the period 1884-1960. There is hardly any tangible material left in Congo of that period, due to the hastily departure of most colonisers after the independence in 1960. ICC is an institute, existing separately but hosted in DR Congo by the National Museum in Lubumbashi and in Belgium by Enough Room for Space (ERforS), that creates a permanent archive of objects, clothes, letters, photo's, audio and video recordings, books and documents representing colonial culture. Or put differently, the daily life and work of white European colonists in the colonial period. The Kingdom of Kongo, and later Congo Free State was occupied by and/or traded with the Portuguese, French, Dutch, Belgian, German and English, and covers the entire or part of the currently known countries: Democratic Republic of Congo (Congo Kinshasa), Angola, The Republic of Congo (Congo Brazzaville), Burundi and Rwanda).

The aim is to remedy a void in the collection of the National Museum, but also the public knowledge about the colonial period, both in Belgium and DR Congo, by creating an archive of colonial culture, the first of its kind in DR Congo. By doing so, it facilitates a more egalitarian writing of history, where the dominant ethnographic western view towards colonisation and African cultures in general, is reversed. ICC puts western culture under an 'African microscope' by using material and documentation from both colonisers and colonised.

Georges Senga at ICC archive

Georges Senga (b. 1983, Lubumbashi, DRC) is a photographer and visual artist based in Rotterdam, the Netherlands. His work develops around history and the narratives revealed by memory, identity, and heritage.
His projects explore memory, looking for the resonances that people, their facts and their objects leave behind, and the resilience of memory in his country, DR Congo. Through photography, installation, and archival research, Senga investigates how personal and collective histories shape our understanding of the present.

Senga is part of the biennale of Lubumbashi and Picha Asbl in DR Congo, the artists collective On Trade Off, and the Photo Market and Phototools workshop in Johannesburg, South Africa. His work has been exhibited internationally in institutions including Kunsthalle Mainz, WIELS Brussels, Z33 Hasselt, Museo delle Civiltà Rome, and the Kochi-Muziris Biennale.

He has been a resident at, Studio Voltaire ( London The UK), Villa Medici (Académie de France à Rome), WIELS, Jan van Eyck Academie, and Akademie Schloss Solitude, and is the recipient of the Thamie Mnyele Award (Netherlands, 2019), the CAP Prize for Contemporary African Photography (Switzerland, 2017), and the Léon the African RAM Award at the Bamako Biennale (Mali, 2015).